Orgánico
“I’m not an abstractionist. I’m not interested in the relationship of color or form or anything else. I’m interested only in expressing basic human emotions: tragedy, ecstasy, doom, and so on”
“No soy un abstraccionista. No me interesa la relación de color o forma ni nada más. Solo me interesa expresar las emociones humanas básicas: tragedia, éxtasis, fatalidad, etc.”
Thierry Jeannot
Star Transmutation # 14, 2019
Light fixture, aluminium and clear plastic (PET)
87 x 54 cm, 12 bulbs
Marion Friedmann Gallery
Thierry Jeannot
Star Transmutation # 14, 2019
Light fixture, aluminium and clear plastic (PET)
87 x 54 cm, 12 bulbs
Marion Friedmann Gallery
Lyle XOX
The Porcelain Menagerie, 2020
Archival Pigment Print on Legacy Barta Paper (Dibond Mount with UV laminate)
49 × 37 × 1,75 in
Edition of 10
Jennifer Kostuik Gallery
Lyle XOX
The plastic sarcophagus, 2020
Archival Pigment Print on Legacy Barta Paper (Dibond Mount with UV laminate)
79 × 59,5 × 2,25 in
Edition of 3
Jennifer Kostuik Gallery
Marcelo Legrand
Sin título, 2019-2020
Acrílico sobre tela
148 x 220 cm
Galería SUR
Marcelo Legrand
Sin título, 2018-2019
Acrílico sobre tela
100 x 200 cm
Galería SUR
Julio Martínez Barnetche
Pliegues, 2020
Light sculpture, direct carving in rutilated quartz, from the season mine in Belo Horizonte, Brazil / brass and tlacapulin wood
12 x 4 x 6 cm (stone) | 40 x 22 x 32 cm (whole piece)
Prosthesis Collection
Marion Friedmann Gallery
Julio Martínez Barnetche
Brains / Riñones, 2020
Light sculpture, direct carving in amber, from Simojovel, Chiapas, Mexico / brass and tlacapulin wood
11 x 8 x 5 cm (stone) | 40 x 22 x 42 cm (whole piece)
Marion Friedmann Gallery
Judy D. Shane
The Painted Photograph: Remnants #482 V1, 2017
Inkjet Print on Cotton Watercolour Paper, Mounted on Aluminum
52,25 x 52,25 x 1,75 in framed
Jennifer Kostuik Gallery
Judy D. Shane
The Painted Photograph: Remnants #474 V2, 2017
Archival Inkjet Print, 100% Cotton Paper, Aluminum Mount, UV Protective Layer
17,25 x 17,25 x 1,375 in framed
Jennifer Kostuik Gallery